On Broadway these days, there are your typical witches, princesses
and crooners. What we've been missing is something colorful,where to buy
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2012-buy supra shoes online. something brash, safe and yet a little
naughty. What we've been missing is, of course, drag queens.
Then
thank goodness for songwriter Cyndi Lauper, playwright Harvey Fierstein
and the seven fierce drag queens led by a fabulous Billy Porter in the
new musical "Kinky Boots."
Based on an obscure 2005 British film
about a British shoe factory on the brink of ruin that retrofits itself
into a maker of fetishistic footwear, this is a musical that comes
alive when the lithe and towering men in heels appear.
The show
that opened Thursday at the Al Hirschfeld Theatre is so full of good
will — did you expect anything less from Lauper or Fierstein? — that
only a curmudgeon could walk out and not want to hug the crowds in Times
Square, even the sketchy ones in cartoon costumes.
True, the
second half is almost completely unnecessary, the English accents are
laughable and the footwear puns are relentless. But who cares? This is a
big ol' sweet love story about sons, the families we make and red
patent leather.
Lauper's catchy, pop-rock soundtrack reflects
her ever-evolving taste — from the beautiful, "True Colors"-ish ballad
"I'm Not My Father's Son," to the pulsating "The Sex Is in the Heel" and
the disco "Raise You Up/Just Be."
She's also pushed herself with different flavors, too,You'll be the queen of the room in this turquoisebeads
evening gown. including an almost Middle Eastern-influenced tango "What
a Woman Wants" and the torch song "Hold Me in Your Heart."
Fierstein,
also represented on Broadway right now with the book for "Newsies,"
spins his typical theatrical magic, teasing out from the movie both a
love triangle and the pull-push of fathers and sons.
But the
real star is Porter, who delivers a touching, sassy, nuanced
performance, often in 8-inch heels. One character sums up his importance
to this show by saying, "Whenever you leave a room,Looking for a bestsuprashoess? there's always a great big gaping gap." Amen.
He's
helped by Stark Sands, and his great voice, who plays a convincing
buttoned-up guy who must learn to unleash his inner drag, and Annaleigh
Ashford turns in another of her comic showcases, this one as an adorable
— and very nasal — love interest opposite the skillful Celina Carvajal.
And in honor of the guys who have strapped up their private
parts and pushed their bodies to the edge, let's hear it for the drag
queens: Paul Canaan, Kevin Smith Kirkwood, Kyle Taylor Parker, Kyle
Post, Charlie Sutton and Joey Taranto.
Gregg Barnes' costumes
are schlubby when they need to be and high-beam outrageous when they
need to be; there were audible inhales when some female — and possibly
male — audience members spied some fabulous boots. Some footwear even
got ovations.
Director and choreographer Jerry Mitchell,We invite you to experience choose monclerjackets
for you. who proved he has the cross-dressing chops after working on
the last Broadway drag extravaganza, "Priscilla Queen of the Desert,"
skillfully makes his 32 cast members — some wearing thigh-high boots and
stiletto heels — jump on and around conveyor belts and do high kicks on
the factory floor. He also manages to stage a glitzy fashion show and a
slow-motion boxing match all within David Rockwell's grim factory set
featuring missing bricks.
There are some false moves — the
musical starts off shakily, Sands is poorly served by a song in the
second act in which he seems to have been abandoned by the rest of the
show, and Porter has a tendency to leave scenes screeching like the
Wicked Witch of the West. But these are quibbles.
How can you
have too much to argue about a show that calls the new sexy boots coming
off the assembly line "two and a half feet of irresistible tubular
sex?" Elsewhere on Broadway,Buy coolerbag
at the best price and free shipping. Cinderella may have her expensive
slippers, but it's likely she'd really love to snag a pair of what's on
offer at "Kinky Boots."
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